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Freitag 23.10.2015, 20.30 Uhr
In the formats of exhibitions, editions and readings, DOMINIQUE HURTH is interested in the framing and reading of objects and events, folding and unfolding them into non-linear historical narratives. Edison, Mathias Rust, Le Corbusier, Pavlov’s experiment table, Herbert Bayer’s exhibition designs meet France Gall, the countdown to zero, Rodin, Sarah Bernhardt, Cessna, Mallarmé, or Heinlein, thus transposing historical data into a subjective voice-over. Between fiction and facts, the created installations operate as abstracted containers for narratives, unloading highly different readings of History, in which recording technology, popular culture, science (fiction) oscillate with art history, modernism or literature: thus merging fact and fiction, image and caption, form and word.
She has exhibited at various museums, galleries, and off-site projects in Europe and the USA, and has also contributed to several art and culturally related publications internationally. Recent projects include group shows at Palais de Tokyo, Paris; Fundacio Tapies, Barcelona; Villa Oppenheim – Museum Charlottenburg, Berlin; Tiroler Kunstpavillon, Innsbruck; LOOK 13 – Liverpool International Photography Festival; MAMO – Cité Radieuse, Marseille; Hordaland Art Centre, Bergen; after the butcher, Berlin; Hamburger Bahnhof, Berlin; Literature House, Aarhus; solo shows at Souterrain and clockwork gallery Berlin; Künstlerhaus Büchsenhausen, Innsbruck; Wildtsches Haus, Basel; a commissioned work on the Ku’Damm, Berlin, and a series of readings in Marseille, Rotterdam, Innsbruck, Paris and Berlin. She also publishes frequently in the format of artist editions and pamphlets. Her first book «language in the darkness of the world through inverse images» was published in 2012.
SUSANNE BÜRNER studied Media Arts at the Hochschule für Gestaltung in Karlsruhe and received her diploma in 1998. She currently lives and works in Berlin. Her work has been presented on diverse occasions, in a number of places, among them: “finistère”, 2005, Galerie Giti Nourbakhsch, Berlin; “Dissolve”, 2002, Galerie Giti Nourbakhsch, Berlin; and “Räume”, 2001, Akademie Schloss Solitude, Stuttgart. Among her group presentations are: tank.tv, 2007, Tate Modern, London; and “Klinik – eine Pathologie der Gesten”, 2006, Théâtre Hebbel, Berlin. She has received numerous prizes and stipends, the most recent include: bourse du programme berlinois en faveur des artistes féminines, in 2006; Artist in Residence at the Villa Arson, Nice, France, in 2006; and la bourse du Kunstfonds de Bonn, Germany, in 2004.
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